12,207 Free Images of Laid Paper

yale center for british art national gallery of art drawings in the yale center for british art etchings in the yale center for british art graphite pen and brown ink romanticism paintings by joseph mallord william turner in the yale center for british art brown ink etching and mezzotint

View of Morrisville, General Moreau's Country House in Pennsylvania, Possibly The Woodlands, Pennsylvania, Pavel Svinyin, 1811–ca. 1813

department of american paintings and sculpture, metropolitan museum of art pavel svinyin

The Fitting, Mary Cassatt, between 1890 and 1891

prints in the national gallery of art (washington, d.c.)impressionism

At Tivoli, near Rome, Sir Richard Hoare, 2nd Baronet, between 1786 and 1819

drawings in the yale center for british art richard colt hoare

Plato's Cave, Cornelis van Haarlem, 1604

dutch engravings in the national gallery of art (washington, d.c.)mannerism

Woman Bathing, Mary Cassatt, between 1890 and 1891

prints in the national gallery of art (washington, d.c.)impressionism

The Castle above the Meadows, J. M. W. Turner, 1808

etchings in the yale center for british art romanticism

View on the river Vulturnus, Sept.r 1790, Sir Richard Hoare, 2nd Baronet

drawings in the yale center for british art richard colt hoare

D. Gerardo Seghers, Pictori Antuerpiano, Gerard Seghers, circa 1635

portraits of gerard seghers flemish baroque painting

Preparatory drawing for Designs 7 and 8, Plate 5 of A Collection of Designs for Rural Retreats, James Malton, 1802

drawings in the yale center for british art james malton

Ships in a Breeze, J. M. W. Turner, 1808

etchings in the yale center for british art romanticism

Countess of Huntingdon, Benjamin West

drawings in the national gallery of art (washington, d.c.)neoclassicism,romanticism

The Drawing of the Clyde, J. M. W. Turner, 1809

etchings in the yale center for british art romanticism

Mt. St. Gothard, J. M. W. Turner, 1808

etchings in the yale center for british art romanticism

Mt. St. Gothard, J. M. W. Turner, 1808

etchings in the yale center for british art romanticism

The Letter, Mary Cassatt, between 1890 and 1891

prints in the national gallery of art (washington, d.c.)impressionism

Venus with Cupid Whittling His Bow, Odoardo Fialetti, circa 1617

etchings in the national gallery of art (washington, d.c.)prints by odoardo fialetti

Dumblain Abbey, Scotland, J. M. W. Turner, 1816

etchings in the yale center for british art romanticism

Ships in a Breeze, J. M. W. Turner, 1808

etchings in the yale center for british art romanticism

View on the River Liris, near Isola, Sir Richard Hoare, 2nd Baronet, 1790

drawings in the yale center for british art richard colt hoare

Morpeth, Northumberland, J. M. W. Turner, 1809

etchings in the yale center for british art romanticism

Bonneville, Savoy, J. M. W. Turner, 1816

etchings in the yale center for british art romanticism

Norham Castle on the Tweed, J. M. W. Turner, 1816

etchings in the yale center for british art romanticism

Cupid Shooting an Arrow, Uffizi, Florence, John Flaxman Jr., 1787

sketchbooks in the yale center for british art neoclassicism

View at Isola di Sora, Sir Richard Hoare, 2nd Baronet, 1790

drawings in the yale center for british art richard colt hoare

Preparatory drawing for Design 10, Plate 7 for A Collection of Designs for Rural Retreats, James Malton, 1802

drawings in the yale center for british art james malton

Head of a Man with a Beard and Long Hair in the Wind, Samuel De Wilde, 1786

drawings in the yale center for british art samuel de wilde

Norham Castle on the Tweed, J. M. W. Turner, 1816

etchings in the yale center for british art romanticism

The Letter, Mary Cassatt, between 1890 and 1891

prints in the national gallery of art (washington, d.c.)impressionism

View in Abruzzo, May 1791, Sir Richard Hoare, 2nd Baronet

drawings in the yale center for british art richard colt hoare

The Coiffure, Mary Cassatt, between 1890 and 1891

prints in the national gallery of art (washington, d.c.)impressionism

The Hindoo Worshipper, J. M. W. Turner, 1811

etchings in the yale center for british art romanticism

The Capuchin Convent at Gensano, Sir Richard Hoare, 2nd Baronet, between 1786 and 1819

drawings in the yale center for british art richard colt hoare

The Alcove, Isleworth, J. M. W. Turner, 1819

etchings in the yale center for british art romanticism

Castle of Balzerrano, and Vale of Roveto, in Abbruzzo, Sir Richard Hoare, 2nd Baronet, 1791

drawings in the yale center for british art richard colt hoare

At Tivoli, near Rome, Sir Richard Hoare, 2nd Baronet, between 1786 and 1819

drawings in the yale center for british art richard colt hoare

View on the river Liris, near Isola, Sir Richard Hoare, 2nd Baronet, 1790

drawings in the yale center for british art richard colt hoare

A Town on the Mohawk River in Central New York State (?), Pavel Svinyin, 1811–ca. 1813

department of american paintings and sculpture, metropolitan museum of art pavel svinyin

Monastery of La Trappe, at Casamare, Sir Richard Hoare, 2nd Baronet, 1790

drawings in the yale center for british art richard colt hoare

Aesacus and Hesperie, J. M. W. Turner, 1819

etchings in the yale center for british art romanticism

Preparatory drawing for Design 14, Plate 11 for A Collection of Designs for Rural Retreats, James Malton, 1802

drawings in the yale center for british art james malton

The Castle above the Meadows, J. M. W. Turner, 1808

etchings in the yale center for british art romanticism

Romeo and Juliet: Act IV, Scene III (A Monument Belonging to the Capulets), Jean-Pierre Simon, 1791

aquatint prints in the yale center for british art jean-pierre simon

Musician and Dancing Figures, Donato Creti

drawings in the national gallery of art (washington, d.c.)drawings by donato creti

The Virgin and Child with Saint Conrad and Saint Pelagius, 1504

woodcuts in the national gallery of art (washington, d.c.)german renaissance

Study for "The Danaïdes", John Singer Sargent, between 1922 and 1925

drawings by john singer sargent in the national gallery of art (washington, d.c.)impressionism

Saint Louis of Toulouse Holding a Book, Giovanni Bellini, early 1460s

drawings in the national gallery of art (washington, d.c.)renaissance

Creation of the Universe, Giovanni Domenico Tiepolo

drawings in the national gallery of art (washington, d.c.)drawings by giovanni domenico tiepolo

Angel Standing, Rembrandt

dutch drawings in the national gallery of art (washington, d.c.)dutch golden age painting

A Seated Man Holding a Tablet, Carlo Maratta

drawings by carlo maratta in the national gallery of art (washington, d.c.)drawings in the national gallery of art (washington, d.c.)

The Madonna and Child with an Escaped Goldfinch, Guercino, early 1630s

drawings in the national gallery of art (washington, d.c.)baroque

Studies for "Gassed", John Singer Sargent, between 1918 and 1919

drawings by john singer sargent in the national gallery of art (washington, d.c.)impressionism

Study of Apollo for "Apollo and Daphne", John Singer Sargent, circa 1918

drawings by john singer sargent in the national gallery of art (washington, d.c.)impressionism

Head of a Man Looking Up, Giovanni Battista Tiepolo, about 1750–1760

drawings by giovanni battista tiepolo in the getty center rococo,baroque

A Landscape with Three Figures and a Dog, Théodore Rousseau

drawings in the national gallery of art (washington, d.c.)barbizon school

Ten Men Pulling on Ropes, Joseph Vernet

drawings in the national gallery of art (washington, d.c.)drawings by joseph vernet

A Young Man Warming Himself at a Brazier, Gaetano Gandolfi

drawings in the national gallery of art (washington, d.c.)drawings by gaetano gandolfi

Cupid Stealing Venus' Floral Crown, Antoine Coypel, 1705/1708

drawings in the national gallery of art (washington, d.c.)drawings by antoine coypel

The Holy Family, Simone Cantarini

drawings in the national gallery of art (washington, d.c.)drawings by simone cantarini

Studies for "Gassed" [recto], John Singer Sargent, between 1918 and 1919

drawings by john singer sargent in the national gallery of art (washington, d.c.)impressionism

Studies for "Classic and Romantic Art", John Singer Sargent, circa 1921

drawings by john singer sargent in the national gallery of art (washington, d.c.)impressionism

Hercules and Antaeus, Giovanni Pietro Possenti

etchings in the national gallery of art (washington, d.c.)giovanni pietro possenti

Saint Christopher (recto), Hermann Weyer, 1615/1620

drawings in the national gallery of art (washington, d.c.)hermann weyer

Furniture Design: Elevation of a Pedestal or Case, Gilles-Marie Oppenord, ca. 1690

collections of the cooper hewitt, smithsonian design museum gilles-marie oppenord

Saint Anthony of Padua, Luca Giordano

drawings in the national gallery of art (washington, d.c.)baroque

Death and Its Horse, Alphonse Legros

drawings by alphonse legros in the national gallery of art (washington, d.c.)realism

The Cup of Tea, Paul-Albert Besnard, 1883

prints in the national gallery of art (washington, d.c.)symbolism

At the Foot of the Hill, Alphonse Legros

drawings by alphonse legros in the national gallery of art (washington, d.c.)realism

Road to Riches and delightfull Parts, Or, The Recruiting Officers [?] Matrimonial Trip to the Continent., William Dent, 1792

engravings in the yale center for british art william dent

Lieutenant-General, The Honorable Charles William Stewart, K.B., Henry Hoppner Meyer, 1814

mezzotint prints in the yale center for british art henry hoppner meyer

A Horse and a dog, a Pl. for 'A New Drawing Book...of Beasts in Various Actions' (1 of 9), George Bickham the Elder

etchings in the yale center for british art george bickham the elder

Knight, Death, and the Devil, Albrecht Dürer, 1513

engravings by albrecht dürer in the national gallery of art german renaissance

Cover of "The Yellow Book: an Illustrated Quarterly", Volume I, April 1894, Aubrey Beardsley

prints in the yale center for british art aestheticism,symbolism

Bibi L'alouette, James McNeill Whistler, 1859

drypoint prints in the yale center for british art aestheticism

Portrait of John Moody as Foigard, Giuseppe Filippo Liberati Marchi, between 1769 and 1771

mezzotint prints in the yale center for british art giuseppe filippo liberati marchi

Study of Female Nude Bending on Hands and Knees, Adolf Hirémy-Hirschl

drawings in the metropolitan museum of art drawings by adolf hirémy-hirschl

Study of a Group of Figures and a Study of a Man's Head, Benjamin Haydon

drawings in the yale center for british art benjamin robert haydon

Design for Wall Brackets, Plate 42 in One Hundred and Fifty New Designs, Thomas Johnson, 1756–57

prints in the cooper–hewitt, smithsonian design museum thomas johnson (designer)

Landscape with a Girl, Pierre-Auguste Renoir, circa 1890

landscape paintings with people by pierre-auguste renoir impressionism

Sketches of Hands, Hamlet Winstanley, between 1715 and 1720

sketchbook of drawings and engraved self-portraits by hamlet winstanley sketchbooks in the yale center for british art

View of Rome with Colosseum, Willem van Nieulandt II, between 1601 and 1635

drawings by willem van nieulandt (ii)baroque

A Woman Rescued from the Sea and Assisted Ashore, Rowing Boat and Rescuers in Background, Thomas Stothard

watercolor paintings in the yale center for british art drawings by thomas stothard

The Rt. Reverend William Lawrence, John Singer Sargent, 1916

charcoal portraits impressionism

Simon Fraser, Twelfth Lord Lovat (1667-1747), Richard Cooper

drawings in the yale center for british art richard cooper, the elder

'Henry IV, Part I,' Act V, Scene IV, Daniel Nikolaus Chodowiecki

etchings in the yale center for british art rococo,neoclassicism

Preparatory drawing for Design 16, Plate 12 of A Collection of Designs for Rural Retreats, James Malton, 1802

architectural drawings in the yale center for british art james malton

Pantheum Romanum nunc Mariae Cognomento, Ambrogio Brambilla, between 1581 and 1586

etchings in the yale center for british art prints by ambrogio brambilla

The Night Riders of Nacton: Preparing to Start. Ipswich, the Watering Place behind the Barracks, Henry Thomas Alken

watercolor paintings in the yale center for british art henry thomas alken

Sir Joshua Reynolds, P.R.A., F.R.S., LL.D., James Watson, circa 1770

mezzotint prints in the yale center for british art james watson (engraver)

Dr. William Markham, Head Master of Westminster School, Bishop of Chester, Edward Fisher, 1762

mezzotint prints in the yale center for british art edward fisher (engraver)

Study for a Head of a Child, George Frederic Watts, circa 1860

drawings in the yale center for british art academic art,symbolism

Seven and a man, a Pl. for 'A New Drawing Book...of Beasts in Various Actions' (1 of 9), George Bickham the Elder

etchings in the yale center for british art george bickham the elder

Studies for the Instruction of Painters, two suites. Rome, c. 1630, Francesco Curti, circa 1633

engravings in the yale center for british art francesco curti

Boiler Music, Pieter van den Berge, between 1689 and 1737

mezzotint prints in the yale center for british art prints by pieter van den berge

Portrait study of John Inigo Richards, R.A., Charles Grignion the Elder, circa 1771

drawings in the yale center for british art charles grignion the elder

Sketch for "The Conversion of St. Paul" for the Dome of St. Paul's Cathedral, James Thornhill, between 1709 and 1717

drawings in the yale center for british art baroque

Landscape with Tobias and the Angel, Gillis Neyts

etchings in the national gallery of art (washington, d.c.)etchings by gillis neyts

Salome Dancing Before Herod, Jan Saenredam

engravings in the national gallery of art (washington, d.c.)prints by jan saenredam

Preparatory drawing for Design 15, Plate 12 of A Collection of Designs for Rural Retreats, James Malton, 1802

architectural drawings in the yale center for british art james malton

Design for the painted decoration of a wall of ceiling panel monogrammed "CA", Eugène-Pierre Gourdet

jules-edmond-charles lachaise eugène-pierre gourdet

Studies for the Instruction of Painters, two suites. Rome, c. 1630, Francesco Curti, circa 1633

engravings in the yale center for british art francesco curti

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